The way the visuals and music clashed in the first round of trailers for Marie Antoinette, in which the teenage Queen of France and her powdered wig- and silk brocade-wearing courtiers frolicked in the garden and played dice to the strains of 's 'Ceremony,' fell somewhere between being exciting and contrived. The full soundtrack to the movie -- all two discs and 90-odd minutes of it -- keeps this bold contrast, but gives it more nuance. In fact, its mix of new wave, post-punk, dream pop, electronica, and classical pieces really sells 's vision of Marie Antoinette as an innocent young girl, transformed into her era's version of a hipster fashionista, who gets in way over (and ultimately loses) her head. The size of the soundtrack suggests the decadence of her times, but the way the music is actually used is far from indulgent. Disc one relies on new wave to illustrate the giddy rush of her rise, while disc two is mostly electronica and darker, more atmospheric classical pieces tracing her fall with a stylish, bittersweet atmosphere similar to the and soundtracks.

Marie Antoinette 1938 Official Trailer Norma Shea, Marie Antoinette (1938) Official Trailer - Norma Shearer, Tyrone Power Movie HD by Movieclips Trailer Vault Download. Listen free to Various Artists – Marie Antoinette (Original Motion Picture Soundtrack) (Hong Kong Garden, Aphrodisiac and more). 26 tracks (91:16). Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.fm. Download “Marie Antoinette” Soundtrack. Digg; Reddit; Category: Movie Soundtracks Tags: Marie Antoinette. One Comment on “ Marie Antoinette. Sony Xperia Pc Companion For Windows Xp.

'Hong Kong Garden' kicks off, beginning with a brief prelude that at first sounds like it escaped from A Chamber Music Tribute to Siouxsie Sioux but then sounds utterly right, and helps make the rest of the soundtrack's switches from pop to classical and back again sound inspired instead of forced; there's a lightness and playfulness in the new wave songs that connects them to 's Concerto in G. Throughout the soundtrack, seems to function as Marie Antoinette's voice: after all, 'I Want Candy' isn't such a far cry from 'let them eat cake,' and on the second disc, 'Fools Rush In' captures her plight perfectly. By working with a carefully selected palette of tracks by a handful of artists --, (whose 'Jynweythek Ylow' has all the delicacy of chamber music),, and are among the chief sources -- 's daring gambit pays off in a long but exquisitely curated soundtrack.