• Mike Green • chronology (2007) 2007 Selfish Machines (2010) (2012) 2012 Selfish Machines is the second studio album by American band, released by on June 22, 2010. Produced by and Mike Green, it was recorded between late 2009 and early 2010.

Sep 24, 2013 - Equal Vision Records' alumni Pierce The Veil will reissue their sophomore full-length album, Selfish Machines, on September 17. The new version is fully remixed by Dan Korneff, who mixed the band's latest LP – Collide With The Sky. The reissue is also an expanded version of the original release,.

Fuentes wrote most of the songs himself, and co-wrote three songs with ex- guitarist. Vocalist, also of A Day to Remember, was featured on the track 'Caraphernelia', which had its music video released on September 28, 2010. 'Bulletproof Love' was released as the follow-up music video on July 7, 2011. Though there was a varied critical reception to the album, with reviewers criticizing the use of on the tracks, it appeared on several American charts, including its and the top chart. It was reissued, with remixed production, on September 24, 2013. Contents • • • • • • • • Background and recording [ ] In November 2008, posted a list detailing their most anticipated album releases for the following year.

The list included Pierce the Veil's second album, which was listed for release in the Autumn. In an interview with in early 2009, guitarist and vocalist revealed that Pierce the Veil's next album would be influenced by their fans. Fuentes also said in the interview that he was uncertain when the album would be released, but that it would be released. In April 2009, it was revealed that the band were in the process of writing for their next album. The band was writing and new material at their home studio in November 2009. Selfish Machines, and the band's next album (2012), was written in a cabin that belonged to ' president Bob Becker.

Uad Authorization Keygen Free. Like their previous record, (2007), singer-songwriter Curtis Peoples joined Pierce the Veil to help write songs. However, none of the songs made it to the final cut. The album was recorded between December 2009 and January 2010 in Los Angeles with producer Mike Green, with a planned release later that year.

Green was selected as the producer because, according to Fuentes, albums he had previously worked on 'sounded amazing', and he was 'a very down to earth and passionate person'. It was revealed on December 27, 2009, that had recorded all the drum tracks in one day, at Ocean Studios in Burbank, California. The drums were recorded using three microphones on the, and four on the. During the recording sessions, Mike broke a microphone that was worth $6,000. By January 11, 2010, though vocals and keyboard tracks had yet to be recorded, all other components had been completed. A studio update posted on February 19 noted eights days remained to record the vocals. Fuentes later said he was not going to be recording in Los Angeles again, as being so close to their hometown of provided 'a lot of distractions that we didn't need'.

Music and lyrics [ ]. The theme of this album talks about these natural thoughts and feelings to want and take–the desire to be in love and the desperation for someone else to love you. – Vic Fuentes, on the album's overall lyrical content, 2010 The majority of the songs featured on Selfish Machines were written by Fuentes, apart from: 'The Boy Who Could Fly', 'Disasterology' and 'The Sky Under the Sea' that were co-written with ex- guitarist; and 'Besitos' co-written with Dave Yaden. An staff reviewer noted that it 'blurs,, and ' together, and Sebastian Berning of Powermetal noted the emo and post-hardcore sound also present on A Flair for the Dramatic in addition to many new stylistic influences. Sergio Pereira of MusicReview described the album as, but stressed that it was not 'your stereotypical experimental record'.

Prior to the album's release, Fuentes said fans should 'expect a lot of songs to sing along to' and that their live performances would be 'super fun'. The music for 'Besitos' showcases the band's influence, and the lyrics describe Fuentes' relationship with a girl, from her point of view, who he 'couldn't stop hurting over and over again'.